I am reposting this short piece on Kiarostami and movement for the Iranian Blogathon Feb 21-27, 2011:
I never tire of watching Abbas Kiarostami's Five. The combination of natural, elemental forces, and the human and technologically mediated incident simply bring me to life and charge me with wonderment and delight.
I have for some time now enjoyed my exchanges around art, books, photography, music, philosophy, literature, technology and the wonders of our age with my friend Darius Himes. And we have, off and on, both remarked on our love for Kiarostami's work. Then suddenly yesterday, amidst the hustle of the Duke-at-work-Saturday, I discovered that Darius had used one of our favorite Social Media tools Qik.com to make a short film about the book and the wind. I love it. It reminds me of passages in Kiarostami's Five. Elegant and elemental. Wind and paper ... then, movement, the essence and object of cinematic fascination from the start. (Remember the rustling of the leaves in Lumiere's The Baby's Meal [Repas de bebe, no. 88, 1895]?**)
** In Lumière’s Repas de bébé, of 1895, it was not the relatively repetitive activity of feeding the baby that captured the attention of the audience, but the small matter of leaves rustling in the background, moving discontinuously in an otherwise imperceptible breeze. A small matter perhaps, but for an audience familiar with the closed circuit of mechanical illusions of motion (via such devices as thaumatropes, zooetropes, phenakistascopes) the discontinuous demarcated the territory of the real, and confirmed the verisimilitude ceded to the camera. --Thomas Zummer "Arrestments: Corporeality and Mediation"
